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I’m stunned engineers at these makers can voice these things as well as they do.) So, I asked Athan Billias of Yamaha’s Pro Audio and Combo Division to tell us more about the computer workflow and keybed.
“It’s a graded hammer action that was designed to be lighter and allow for a more streamlined design than the Clavinova’s, but uses a similar mechanism.” Now, it is lighter – otherwise the keyboard would weigh more – but if portability is key, this could be a player.
Having onboard sounds is a nice backup, but for most of us who are addicted to superior-sounding soft synths, half a gig of MOTIF sounds just won’t cut it.
(Side note: I really do think there’s something to the Japanese aesthetic of miniaturized sample content.
I’m not terribly familiar with the MOTIF sequencers, so I have to give this another try to see how usable it is, but it is one advantage of workstation-style keyboards – here, without all that extra cruft (and heft, and cost) you don’t need or want.
Also, a MIDI output switch lets you use the arpeggiator and patterns to sequence your external MIDI instruments.